And here is the finished painting. I think that because of the field study that I did and the fact that I know this place so well, I really had no problems with the completion of this painting. It was one of those that went well right from the start. With a large brush, I started with some lighter color in the sky area then laid in the darker clouds next. With a little blending, I was able to create a nebulous feeling to the sky and also to the cloud reflections in the water. I kept the thin strip of land greyed to suggest distance then used a bold mix of cadmium yellow deep, burnt sienna and raw umber for the marsh grasses. Some smaller details were added here and there and that was it.I like the way that the light works in this painting creating the interesting reflections among the basically three band of color. I did see this work as being slightly differently to my other marsh paintings and I feel this one is the most abstract of them all. It does have a quiet meditative feel which really is what I was after and this was something that the client who purchased the painting reflected on too. This oil on canvas is 30" X 40".

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